Two influential films from the 1960s that have sparked discussions about their artistic value and deeper meaning. In this excerpt, the author raises the question of whether these films, specifically La Notte and Marienbad, are truly groundbreaking and introspective or simply lacking substance. The use of the term “abstract” to describe these films may suggest a sense of emptiness, leaving audiences to wonder if the films are merely a facade without any real depth. It is a fascinating exploration of the blurred lines between art and vacuity, making this piece a must-read for anyone interested in the avant-garde films of the 1960s.